Malanctha
Each One As She May
Rose Johnson made it very hard to bring her baby to its birth.
Melanctha Herbert who was Rose Johnson's friend, did everything that any woman could. She tended Rose, and she was patient, submissive, soothing, and untiring, while the sullen, childish, cowardly, black Rosie grumbled and fussed and howled and made herself to be an abomination and like a simple beast.
The child though it was healthy after it was born, did not live long. Rose Johnson was careless and negligent and selfish, and when Melanctha had to leave for a few days, the baby died. Rose Johnson had liked the baby well enough and perhaps she just forgot it for ahile, anyway, the child was dead and Rose and Sam her husband were very sorry but then these things came so often in the negro world in Bridgepoint, that they neither of them thought about it very long.
Rose Johnson and Melanctha Herbert had been friends now for some years. Rose had lately married Sam Johnson a decent honest kindly fellow, a deck hand on a coasting steamer.
Melanctha Herbert had not yet been really married.
Rose Johnson was a real black, tall, well built, sullen, stupid, childlike, good looking negress. She laughed when she was happy and grumbled and was sullen with everything that troubled.
Rose Johnson was a real black negress but she had been brought up quite like their own child by white folks.
Rose laughed when she was happy but she had not the wide, abandoned laughter that makes the warm broad glow of negro sunshine. Rose was never joyous with the earth-born, bounless joy of negroes. Hers was just ordinary, any sort of of woman laughter.
Rose Johnson was careless and was lazy, but she had been brought up by white folks and she needed decent comfort. Her white training had only made for habits, not for nature. Rose had the simple, promiscuous unmorality of the black people.
Rose Johnson and Melanctha Herbert like many of the twos with women were curious pair to be such friends.
Melanctha Herbert was a graceful, pale yellow, intelligent, attractive negress. She had not been raised like Rose by white folks but then she had been half made with real white blood.
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Jeff Campbell never knew very well these days what it was that was going on inside him. All he knew was, he was uneasy now always to be with Melanctha. All he knew was, that he was always uneasy when he was with Melanctha, not the way he used to be from just not being very understanding, but now, because he never could be honest with her, because he was now always feeling her strong suffering, in her, because he knew now he was having a straight, good feeling with her, but she went so fast, and he was so slow to her; Jeff knew his right feeling never got a chance to show itself as strong, to her.
All this was always getting harder for Jeff Campbell. He was very proud to hold himself to be strong, was Jeff Campbell. He was very tender nto to hurt Melanctha, when he knew she would be sure to feel it badly in her head a long time after, he hated that he could not now be honest with her, he wanted to stay away to work it out all alone, without her, he was afraid she would feel it to suffer, if he kept away now from her. He was uneasy always, with her, he was uneasy when he thought about her, he knew now he had a good, straight, strong feeling of right loving for her, and yet now he never could use it to be good and onest with her.
Jeff Campbell did not know, these days, anything he could do to make it better for her. He did not know anything he could do, to set himself really right in his acting and his thinking toward her. She pulled him so fast with her, and he did not dare to hurt her, and he could not come right, so fast, the way she always needed he should be doing it now, for her.
These days were not very joyful ones now any more, to Jeff Campbell, with Melanctha. He did not think it out to himself now, in words, about her. He did not know enough, what was his real trouble, with her.
Sometimes now and again with them, and with all this trouble for a little while well forgotten by hi, Jeff, and Melanctha with him, would be very happy in a strong, sweet loving. Sometimes then, Jeff would find himself to be soaring very high in his true loving. Sometimes Jeff would find then, in his loving, his soul swelling out full inside him. Always Jeff felt now in himself, deep feeling.
...
Melanctha sat there looking very angry, when he came in to her. Jeff took off his hat and coat and then sat down by the fire with her.
"If you come in much later to me just now, Jeff Campbell, I certainly never would have seen you no more never to speak to you, 'thout your apologizing real humble to me." "Apologizing Melanctha," and Jeff laughed and was scornful to her, "Apologizing, Melanctha, I ain't proud that kind of way, Melanctha. I don't mind apologizing to you, Melanctha, all I mind, Melanctha is to be doing of things wrong, to you." "That's easy, to say things that way, Jeff to me. But you never was very proud Jeff, to be courageous to me." "I don't know about that Melanctha. I got courage to say some things hard, when i mean them, to you." "Oh, yes, Jeff, I knows all about that, Jeff, to me. But I mean real courage, to run around and not care nothing about what happens, and always to be game in any kind of trouble. That's what i mean by real courage, to me, Jeff, if you want to know it." "Oh, yes, Melanctha, I know all that kind of courage. I see plenty of it all the time with some kinds of colored men and with some girls like you Melanctha, and Jane Harden. I know all about how you are always making a fuss to be proud because you don't holler so much when you run in to where you ain't got any business to be, and so you get hurt, the you ought to. And then, you kind of people are very brave then, sure, with all your kinds of suffering, but the way I see it, going round with all my patients, that kind of courage makes all kind of trouble, for them who ain't so noble with their courage, and then they got it, always to be bearing it, when the end comes, to be hurt the hardest. It's like running around and being game to spend all your money always, and then a man's wife and children are the ones do all the starving and they don't ever get a name for being brave, and they don't ever want to be doing all that suffering, and they got to stand it and say nothing. That's the way I see it a good deal now with all that kind of braveness in some of the colored people. They always make a lot of noise to show they are so brave not to holler, when they got so much suffering they always bring all on themselves, just by doing things they got no business to be doing. I don't say, never, Melanctha, they ain't got good courage not to holler, but I never did see much in looking for that kind of trouble just to show you ain't going ot holler. NO it's all right being brave every day, just living regular and not having new ways, all the time just to get excitements, the way I hate to see it in all the colored people. No I don't see much, Melanctha, in being brave just to get it good, where you've got no business. I ain't ashamed Melanctha, right her to tell you, I ain't ashamed ever to say I ain't got no longing to be brave, just to go around and look for trouble." "Yes that's just like you always, Jeff, you never understand things right, the way you are always feeling in you. You ain't got no way to understand right, how it depends what way somebody goes to look for new things, the way it makes it right for them to get excited." "No Melanctha, I certainly never do say I understand much anybody's got a right to think they won't have real bad trouble, if they go and look hard where they are certain sure to find it. No Melanctha, it certainly does sound very pretty all this talking about danger and being game and never hollering, and all that way of talking, but when two men are just fighting, the strong man mostly gets on top with doing good hard pounding, and the man that's getting all that pounding, he mostly never likes it so far as i have been able yet to see it, and I don't see much difference what kind of noble way they are made of when they ain't got any kind of business to get together there to be fighting. That certainly is the only way I ever see it happen right, Melanctha, whenever I happen to be anywhere I can be looking." "That's because you never can see anything that ain't just so simple, Jeff, with everybody, the way you always think it. It do make all the difference the kind of way anybody is made to do things game Jeff Campbell." "Maybe Melanctha, I certainly never say no you ain't right, Melanctha. i just been telling it to you all straight, Melanctha, the way I always see it. Perhaps if you run around where you ain't got any business, and you stand up very straight and say, I am so brave, nothing can ever ever hurt me, maybe nothing will ever hurt you then Melanctha. I never have seen it do so. I never can say truly any differently to you Melanctha, but I always am ready to be learning from you, Melanctha. I certainly don't ever say no, Melanctha to you, I only say that ain't the way yet I ever see it happen when I had a chance to be there looking."
They sat there together, quite by the fire, and they did not seem to feel very loving.
"I certainly do wonder," Melanctha said dreamily, at last breaking into their long unloving silence. "I certainly do wonder why always it happens to me I care for anybody who ain't no ways good enough for me ever to be thinking to respect him."
Jeff looked at Melanctha. Jeff got up then and walked a little up and down the room, and then he came back, and his face was set and dark and he was very quiet to her.
"Oh dear, Jeff, sure, why you look so solemn now to me. Sure Jeff I never am meaning anything real by what I just been saying. What was I just been saying Jeff to you. I only certainly was just thinking how everything always was just happening to me."
Jeff Campbell sat very still and dark, and made no answer.
"Seems to me, Jeff you might be good to me a little to-night when my head hurts so, and I am so tired with all the hard work I have been doing, thinking, and always got so many things to be a trouble to me, living like I do with nobody ever who can help me. Seems to me you might be good to me Jeff to-night, and not get angry, every little thing I am ever saying to you."
"I certainly would not get angry ever with you, Melanctha, just because you say things to me. But now I certainly been thinking you really mean what you have been just then saying to me." "But you say all the time to me Jeff, you ain't no ways good enough in your loving to me, you certainly say to me all the time you ain't no ways good or understanding to me." "Tat certainly is what I say to you always, just the way I feel it to you Melanctha always, and I got it right in me to say it, and I have got a right in me to be very strong and feel it, and to be always sure to believe it, but it ain't right for you Melanctha to feel it. When you feel it so Melanctha, it does certainly make everything all wrong with our loving. It makes it so I certainly never can bear to have it."
They sat there then a long time by the fire, very silent, and not loving, and never looking to each other for it. Melanctha was moving and twitching herself and very nervous with it. Jeff was heavy and sullen and dark and very serious in it.
"Oh why can't you forget I said it to you Jeff now, and I certainly am so tired, and my had all now with it."
Jeff stirred, "All right Melanctha, don't you go make yourself sick now in your head, feeling so bad with it," and Jeff made himself do it, and he was a patient doctor again now with Melanctha when he felt her really having her head hurt with it...
yooooooo i was wondering where you got your inspiration to write your repetitive piece on the ferris wheel ride. Dude...I don't think this has aged well AT ALL. I mean maybe you can explain it to me but why would you ever want to write like this? No energy is generated, no excitement, only annoying awareness of the language itself.
ReplyDelete"All he knew was, he was uneasy now always to be with Melanctha. All he knew was, that he was always uneasy when he was with Melanctha, not the way he used to be from just not being very understanding, but now, because he never could be honest with her, because he was now always feeling her strong suffering, in her, because he knew now he was having a straight, good feeling with her, but she went so fast, and he was so slow to her; Jeff knew his right feeling never got a chance to show itself as strong, to her."
All he knew was, all he knew was? It's gotta be REALLY important to do that and I don't think this is important at all, literally nothing goes on in this paragraph. The repetition i guess is ok if you are reading silently (out loud its painful), but then the wierd commas(in her, to her) get in the way of any flow that you can possibly get in to.
"All this was always getting harder for Jeff Campbell. He was very proud to hold himself to be strong, was Jeff Campbell."
What the hell? ...was Jeff Campbell? Is he supposed to be retarded? I cant help but think this vernacular she created for these black characters is overly forced and slightly racist. Is this how negroes really talked back then using each other's names every single sentence?
Anyways, all I am getting is a sense of words, not any deeper sense of these characters or even this situation they are arguing over. It is all so abstract, and their argument seems nothing more than the wierd ramblings one has in his head when he tries to act out a make believe argument between two sides, an argument that I think does have relevance outside of the story but her way of writing it completely disconnects it from any social relevancec it may have had.
The pairing of existential angst and wordiness (am i right in thinking that this is pretty much an unexplainable argument not relating to any previous action in the story?), usually associated with white people without real problems, with African Americans and their practicality and pure suffering is a bizarre one...
Brotha, I pretty much agree with you on everything here. When I first started reading the Melanctha section I couldn't help but think it was incredibly racist as well. To be fair though, Stein writes the white characters in the other sections in a similar way: everyone uses names a million times in every sentence, and the syntax is all messed up. It's really jarring, but after a while i started to like it. It's almost like she's creating her own language, which i thought was kind of cool (if nothing else, at least it's really original). The other thing that she does really well, which i couldn't capture with two passages posted out of context here, was the way she develops her characters. The book is primarily about that I think, and some of it is absolutely amazing. I think the weird commas and the flow, after a while, become less grating, and make you read the story in a certain way. They force you to sound everything out in your head, which counteracts most readers' natural inclination to conceptualize things in books. It's almost like she's trying to make you walk through a garden maze, (get lost, try one rout after another etc.) instead of letting you find the correct path by looking at it from above. It makes for a very unique and new reading experience, even though the characters, the plot, the language, and the implicit racism/classism, at times, feel old and outdated.
ReplyDeleteI've given up a bit on posting passages that can stand alone, because i'm not sure it's really possible. The Savage Detectives lends itself to that kind of thing, since it's written as a series of individual anecdotes, but even that didn't hold up too well.